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Othello (1952 film) : ウィキペディア英語版
Othello (1952 film)

''Othello'' is a 1952 drama film based on the Shakespearean play, made by Mercury Productions Inc. and Les Films Marceau and distributed by United Artists when released in the United States in 1955. It was directed and produced by Orson Welles, who also played the title role. The screenplay was adapted by Welles and an uncredited Jean Sacha. The film was shot on location in Morocco, Venice, Tuscany and Rome and at the Scalera Studios in Rome. Welles trimmed the source material, which is generally around three hours when performed, down to a little over 90 minutes for the film.〔(【引用サイトリンク】title=Othello (1955) Screen: Orson Welles Revises 'Othello'; Scraps Shakespeare's Plot for Visual Effect )
In addition to Orson Welles, the cast consisted of Micheál MacLiammóir as Iago, Robert Coote as Roderigo, Suzanne Cloutier as Desdemona, Michael Laurence as Cassio, Fay Compton as Emilia and Doris Dowling as Bianca.
==Production==
One of Welles's more complicated shoots, ''Othello'' was filmed erratically over three years. Shooting began in 1949, but was forced to shut down when the film's original Italian producer announced on one of the first days of shooting that he was bankrupt. Instead of abandoning filming altogether, Welles as director began pouring his own money into the project. When he ran out of money as well, he needed to stop filming for months at a time to raise money, mostly by taking part in other productions. Because of lack of funds, production was stopped at least three times. The film found some imaginative solutions to a range of logistical problems; the scene in which Roderigo is murdered in a Turkish bath was shot in that form because the original costumes were impounded and using replacements would have meant a delay. One of the fight scenes starts in Morocco, but the ending was shot in Rome several months later.〔Brigitte Tast, Hans-Jürgen Tast: ''Orson Welles - Othello - Mogador. Aufenthalte in Essaouira'', Kulleraugen Vis.Komm. Nr. 42, Schellerten 2013, ISBN 978-3-88842-042-9〕 Welles used the money from his acting roles, such as in ''The Third Man'' (1949), to help finance the film, but this often involved pausing filming for several months while he went off to raise money; and these pauses were further complicated by the shifting availability of different actors, which meant that some key parts (like Desdemona) had to be recast, and whole scenes then reshot.〔(Filming ''Othello'' )〕 This lengthy shoot is detailed in Micheál MacLiammóir's book ''Put Money in Thy Purse.''
When Welles did ''The Black Rose'' in 1951 he insisted that the coat his character, Bayan, wore be lined with mink, even though it would not be visible. Despite the expense, the producers acceded to his request. At the end of the film the coat disappeared, but could subsequently be seen in ''Othello'' with the fur lining exposed.〔Cameraman:The life & work of Jack Cardiff〕
Welles was reportedly extremely satisfied with the film's musical score by Angelo Francesco Lavagnino, and Lavagnino again provided the musical scores of Welles's two subsequent Shakespearean films, ''Chimes at Midnight'' (1965) and ''The Merchant of Venice'' (1969).

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